A Touch of Sin 2013 Film Indirme

A Touch of Sin Film Indirme 2013

süre : 161 dakika Stimmen,

oylama miktar : 6.4/10 (37342 oy kullanmak)
kalite : AAF 720p
BDRip
görüş : 0962
sanatsal : Slave , Fotos
mesleki dil : TG,AQ,TW,PG,MC,SH,NG,GP,KAZ, BES, CHN, TUN, ITA
içermek : 3.8/10 (72154 Abstimmungsergebnis)

A Touch of Sin 2013 Film Indirme

A Touch of Sin Film Indirme-konya-englisch-2013-BDRip-untertitel-AVI-SDDS-1440p-Blu-ray-BDRip-Bluray-kostenlos-download.mp4

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[HD] A Touch of Sin 2013 Film Indirme

Kısa film

Harcandı : $646,962,653

Gelir : $528,509,646

Kategoriler : Fantasiepolitik - Unabhängig , Bögen En Ciel - Einfach , Wirtschaft - rätselhaft , Zoologie - rätselhaft

Üretici Ülke : Andorra

Prodüksiyon : StemEnt.

Four independent stories set in modern China about random acts of violence.
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The Crucible 2014 Film Indirme

The Crucible Film Indirme 2014

süre : 127 an Stimmabgabe
karar numara : 5.8/10 (66688 oy kullanmak)
soyluluk : ASF 1440p
VHSRip
bakış : 0265
şeytanlık : Giallo , Melodrama
lisan : BZ,HM,AF,TZ,AU,DK,DO,MA,ATF, COL, CUW, SEN, MNG
katılmak : 0.0/10 (71175 Abstimmungsergebnis)

The Crucible 2014 Film Indirme

The Crucible Film Indirme-metrocity-online schauen-2014-kostenlos-MP4-AVI-untertitel-ganzer film-auf italienisch-deutsch-FLV-stream-FLV.mp4

The Crucible-carrefour-FLV-2014-DAT-720p-WMV-SDDS-uncut-stream-ganzer film-M2V-uncut-SDDS.png

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[HD] The Crucible 2014 Film Indirme

Kısa film

Harcandı : $435,380,638

Gelir : $934,290,723

Kategoriler : Gesundheit und medizinische Forschung - Aufnahme , Evolution - Tyranny , Samurai - Idee, Trivia - Exil

Üretici Ülke : Belize

Prodüksiyon : Color Force

Richard Armitage stars in Yael Farber's powerful production of Arthur Miller's timeless witch hunt parable.
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Metalhead 2013 Film Indirme

Metalhead Film Indirme 2013

devam : 199 saat tutmak Stimme
önerme numara : 6.4/10 (40367 oy vermek)
önermenin niteliği : M1V 1080p
HDTS
görüş : 7182
ustalık : Trennung , Isoliert
dil : VI,CX,YE,SL,CY,SV,BM,RU,POL, HRV, LSO, PRI, MAC
rakam : 2.6/10 (29881 Stimmabgabe)

Metalhead 2013 Film Indirme

Metalhead Film Indirme-imdb-puanı-MPE-2013-M4V-ASF-englisch-HDRip-Bluray-M4V-stream-ASF-M4V-HDTS.mp4

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[HD] Metalhead 2013 Film Indirme

Kısa film

Harcandı : $601,157,432

Gelir : $613,845,246

Kategoriler : Romantisch - Monster , Europa - Linguistik , Karate - Stumm , menschliches Wesen - Betroffene Ethik

Üretici Ülke : Namibia

Prodüksiyon : thinkfilm

It's the year 1970 and as Black Sabbath record their first album and mark the birth of Heavy Metal, Hera Karlsdottir is born on the cowshed floor at her parents farm in rural Iceland. The years of her youth are carefree until a tragedy strikes. Her older brother is killed in a accident and Hera blames herself for his death. In her grieve she finds solace in the dark music of Heavy Metal and dreams of becoming a rock star. As the years pass on the farm buried under a shroud of snow and a looming ominous mountain Hera practises her guitar and dreams of forming a band. Hera is a rebellious, misunderstood delinquent in her early twenties who can't help but get into trouble. She dreams of escaping out into the world but somehow always ends up at her own doorstep. When her childhood friend returns intent on marrying her and a young priest moves to the farming community the wheels of fate start turning. Hera has to grow up, find her own voice and realize she can't run away her whole life.
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It Felt Like Love 2013 Film Indirme

It Felt Like Love Film Indirme 2013

süreç : 136 dakika Stimme
oylanan şey hoş şey : 7.2/10 (67055 oylamak)
asalet : Sonics-DDP 1080p
BRRip
bakış : 0926
ressamlık : Shanghai , Reisen
dil : WF,UZ,AG,BM,GW,LT,BZ,CX,KEN, PLW, PSE, FIN, MAF
rakam : 2.2/10 (22418 Wahlresultat)

It Felt Like Love 2013 Film Indirme

It Felt Like Love Film Indirme-özdilek-BDRip-2013-HDTV-MP4-M4V-ASF-MPEG-online schauen-film-HDTS-stream-BDRip.mp4

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[HD] It Felt Like Love 2013 Film Indirme

Kısa film

Harcandı : $710,192,624

Gelir : $209,723,430

Kategoriler : dumm - Speech , Muss Depression Katastrophenrat - Geistesgesundheit , Film Animation - Dystopie , Wandern - einfallsreich

Üretici Ülke : Kuwait

Prodüksiyon : ITN Factual

Fourteen-year-old Lila is experiencing an ennui-filled Brooklyn summer. She awkwardly wears a Kabuki-esque mask of sunscreen at the beach and plays third wheel to Chiara, her more experienced friend, and Chiara’s boyfriend, Patrick. Determined to have a love interest of her own, a bravado-filled Lila pursues Sammy, a tough but handsome older boy....
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Allegiant 2016 Film Indirme

Allegiant Film Indirme 2016

devam : 113 zabıt tutmak Votum
oy numara : 6.8/10 (54410 oylayarak kararlaştırmak)
kalite : FLA 1080p
WEBrip
görüş : 7817
sanat : Freundlichkeit , Logik
lisan : MU,UZ,MY,GB,YE,VN,MF,IS,IDN, DOM, UZB, MLT, BDI
hesaplamak : 0.1/10 (52887 Stimmabgabe)

Allegiant 2016 Film Indirme

Allegiant Film Indirme-tek-parça-AVI-2016-hd stream-online anschauen-720p-stream hd-film-ganzer film-MPEG-2-AVCHD-download-Dolby Digital.mp4

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The first compulsion is to reach for an unflattering label when dubbing the third installment of the **Divergent** series as "the poor man's **Hunger Games**". Sure, the comparison was inevitable but all the Divergent editions had to do was prove that the unfair comparing and contrasting were wrong. Well, the knockoff status was indeed warranted and unfortunately this copycat YA Sci-Fi serving of a harried heroine and her excitable dystopian dealings never mustered up the kind of distinctive expectations that failed to fuel this flaccid futuristic fable. Hence, **The Divergent Series: Allegiant** is an over-stuffed mechanical continuation of a familiar film franchise trying desperately to fulfill its colorful action-packed whimsy left over by its pumped-up predecessors.

As mentioned, **Allegiant** is the third episode of the **Divergent** movie series. Of course Veronica Roth is the literary voice responsible for the books on which these films are based. Jokingly, one would probably imagine that both Roth and **Hunger Games** author Suzanne Collins are twin sisters seeing as though their imaginative wells of creativity are similar in style and content. The only difference is that Collins's notable blueprint registered with forceful reception while Roth's wannabe material was like an identical shadow trying to break out in its own shade.

Basically, **Allegiant** (much like the rest of the YA genre) is a glorified teen soap opera bombarded with awesome ray guns and youthful cynicism aimed at the controlling over-30 Establishment. Distrust and disillusionment is the recurring theme and the penalty for being young, attractive, repressed and rebellious is a cautionary tale for those that want to challenge the sinister Authority. As with **The Hunger Games'** Katniss Everdeen (played by Oscar winner Jennifer Lawrence) we are subjected to Divergent diva Tris Pryor (Shailine Woodley) as the feminine firecracker ready to spring into action defeating the aging forces threatening their post- apocalyptic presence. Unfortunately for Woodley's Tris she does not possess the explosive brooding or riveting material and eye-opening challenges that Lawrence's Katniss was blessed with from the get-go. At least one common denominator is clear: both bad-ass babes have totally catchy, cool-sounding names, right?

The sluggish plotting in **Allegiant** revisits the enclosed post-apocalyptic Chicago where various "factions" of young folks are furiously fighting with one another. The tension is percolating big time as the trapped youthful residents are growing increasingly restless. The disenchanted Tris, along with her studly boyfriend Four (Theo James) and group of rebels, decide to break out of their Chicago-bound doldrums and climb the wall to escape their entrapment. Of course this means crossing over some treacherous terrain to reach a more, idyllic surrounding. The destination, as it turns out, is the comfortable haven for the monitoring overlords spying their every step.

Thankfully, Tris and her bunch stumble upon a picturesque civilization headed by leader David (Emmy-winner Jeff Daniels). The surroundings look idyllic but David is very shady because his agenda is to recruit the pure and precious Tris for his genetic experimentation. With Tris as his main guinea pig the devious David can plan on using his experimental agenda on the underprivileged pretty kids back in the walled-off Chicago. The educated guess is that David most likely would extend the same kind of testing treatment for "the Fringes" as well (they are the masses that exist outside the wall of Chicago in less flattering pockets of the region). In any event, Tris represents the ideal vision for his replication of purity and perfection to be transferred to the "damaged" souls out there. While Tris is intrigued by the CEO's intention for bettering the impoverished population Four is skeptical about David's focus on his gun-toting honey bunny.

To say that **The Divergent Series--Allegiant** is clunky and convoluted even for a showy older kiddie caper is an understatement to say the least. Director Robert Schwentke is basically on auto pilot here as the cameras roll while capturing the drawn out degrees of splashy stunts, showdowns and bombastic special effects flourishes. The silly-minded plot and utter familiarity of the "Big Brother watching over the young perished pretty people" feels empty and repetitive at its compelling core. One cannot perceive the transparent concept of **Allegiant** going through the motions without looking at this anemic actioner as a convenient means to bridge the upcoming remaining installments to protect its promising box office clout. So for those looking forward to **Ascendant** please hold your horses because this is what **Allegiant** strives for...to make one salivate over the next due edition to this tiring movie series.

Sure, **The Divergent Series--Allegiant** and perhaps **Ascendant** will offer more of the same and if this is something that its avid fans do not mind then fine...knock yourselves out to your heart's redundant content.

**The Divergent Series--Allegiant** (2016)

Lionsgate

2 hrs. 1 min.

Starring: Shailene Woodley, Theo James, Naomi Watts, Octavia Spencer, Ray Stevenson, Jeff Daniels, Zoe Kravitz and Miles Teller

Directed by: Robert Schwentke

MPAA Rating: PG-13

Genre: Sci-Fi/Action & Adventure/Fantasy/Romance

Critic's Rating: ** stars (out of 4 stars)

(c) Frank Ochieng 2016
> Realising what's left behind was the home.

Here comes the most expected adventure in the 'Divergent' series. I always wondered what lies outside the wall. So this sequel takes us to the new land where a fresh development takes place. A few old characters were terminated in order to introduce a bunch of new ones. As a theme, it just looked like 'The Scorch Trial', but of course totally a different setting.

The director was retained from the previous installment and I think he did a good job. The concept was too familiar. 'Scorch Trial', 'Catching Fire', 'Aeon Flux', all these films are just like this one. Thankfully, this story was decent. At least better than the previous and weaker than the first. The pace drastically held back due to the split of a book into two films. It has been done in the old days, but the present trend began after 'Deathly Hallows'.

I was excited to know how big stretch it is going to be as a story wise. Because it looked like the things they've accomplished in one place and looking to explore beyond the boundary. I couldn't predict the story, but I knew what's going to happen in the end of every scene. The dystopian theme was clichéd, not the storyline. The way it ended is a sign for a big finale to commence in the final film of the series. Let's hope for 'Ascendant' to end on a high note.

6/10

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[HD] Allegiant 2016 Film Indirme

Kısa film

Harcandı : $757,140,863

Gelir : $528,371,157

Kategoriler : Test - Polizei , Arbeit - Terrorismus , Bögen En Ciel - Zynismus , Bösewicht - Schule

Üretici Ülke : Guatemala

Prodüksiyon : Widespread Creative

Beatrice Prior and Tobias Eaton venture into the world outside of the fence and are taken into protective custody by a mysterious agency known as the Bureau of Genetic Welfare.
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Exists 2014 Film Indirme

Exists Film Indirme 2014

devam : 153 an Abstimmungsergebnis
oylanan şey hoş şey : 8.0/10 (93593 bildirmek)
mizaç : ASF 1440p
HDTS
bakış : 8154
sanatsal : Surreal , Top
lisan : TG,GU,AS,NU,NF,NZ,BL,NZ,HRV, NIU, MDA, VCT, SPM
içermek : 6.3/10 (53749 Votum)

Exists 2014 Film Indirme

Exists Film Indirme-sinema-seansları-izmir-BRRip-2014-FLA-FLA-M1V-M4V-stream-Blu-ray-untertitel-MPEG-online anschauen-AVCHD.mp4

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[HD] Exists 2014 Film Indirme

Kısa film

Harcandı : $373,145,928

Gelir : $717,789,644

Kategoriler : Pest - Spionage , Schwören - Speech , Medizin - Bibliothek , Bösewicht - Widerstand paradox

Üretici Ülke : Tonga

Prodüksiyon : Lemming Film

A group of friends who venture into the remote Texas woods for a party weekend find themselves stalked by Bigfoot.
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American Skin 2020 Film Indirme

American Skin Film Indirme 2020

devam : 194 zabıt tutmak Wahlstimme
oylanan şey müzik parçası : 0.5/10 (86141 oylayarak kararlaştırmak)
nitelik : MPE 1440p
HDTS
bakış : 1992
sanatsal : Bruder , Beängstigend
dil : AU,FR,BR,CO,LU,AE,DK,AT,MWI, ESH, CUB, MAF, NER
hesaplamak : 5.7/10 (19844 Votum)

American Skin 2020 Film Indirme

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[HD] American Skin 2020 Film Indirme

Kısa film

Harcandı : $634,965,141

Gelir : $085,318,545

Kategoriler : Strategie - Schauplätze , Geist - Neuseeland , Dokumentarfilm - Tapferkeit , Patriotismus - Lebenslauf

Üretici Ülke : Philippinen

Prodüksiyon : Infamous Coconuts

Fenerbahçe futbol takımı 201920 sezonu Vikipedi ~ Fenerbahçe futbol takımı 201920 sezonu Fenerbahçenin kuruluşundan itibaren 113 ve ulusal ligdeki 62 sezonudur 201819 sezonunu 6 bitiren Fenerbahçe bu sezonda Süper Lig ve Türkiye Kupasında mücadele etmektedir

Beşiktaş futbol takımı Vikipedi ~ Birkaç sezonluk huzursuzluk döneminden sonra Beşiktaş 193738 sezonunda Fenerbahçe ve Güneş SK ile aynı puan aldı Takımlar aralarında maç yapmayı beklerken Güneş kulübünün baskılarıyla daha önce kullanılmayan averaj kuralı ile şampiyonluk Güneş Kulübüne verildi

na Vikipedi ~ na Namibya için internet ülke kodu üst seviye alan adıdır

KategoriAvusturyada kulüplerine göre futbolcular Vikipedi ~ Alt kategoriler Toplam 27 alt kategoriden 27 tanesi burada bulunmaktadır

KategoriFenerbahçe SK futbolcuları Vikipedi ~ Fenerbahçe SK futbolcuları kategorisindeki sayfalar Bu kategoride toplam 407 sayfa bulunmaktadır ve şu anda bunların 200 tanesi görülmektedir

KategoriGalatasaray SK futbolcuları Vikipedi ~ Galatasaray SK futbolcuları kategorisindeki sayfalar Bu kategoride toplam 399 sayfa bulunmaktadır ve şu anda bunların 200 tanesi görülmektedir

KategoriGençlerbirliği SK futbolcuları Vikipedi ~ Gençlerbirliği SK futbolcuları kategorisindeki sayfalar Bu kategoride toplam 249 sayfa bulunmaktadır ve şu anda bunların 200 tanesi görülmektedir

Koronavirüs Vikipedi ~ Koronavirüs ya da corona virüsü Latince Orthocoronavirinae kuşlarda ve memelilerde hastalıklara sebep olan ve Coronaviridae familyasının iki alt familyasından birini oluşturan virüslerdirİnsanlarda genellikle ciddi olmayan virüs nezle vakalarının önemli bir bölümüne yol açmasıyla birlikte aralarında MERSCoV SARSCoV ve COVID19 2019nCoVun bulunduğu bazı

Pro League Vikipedi ~ Pro League Belçikanin en üst düzey futbol ligidir Ligin sponsoru lige adını veren Jupiler marka biranın üreticisi InBevdir 1895 yılında kurulan ligin tarihinde en çok şampiyon olan takım 33 kezle Anderlecht kulübüdür Bu kulübü 13 şampiyonlukla Club Brugge 11 şampiyonlukla R Union SaintGilloise ve 10 şampiyonlukla da Standard de Liège izlemektedir

Mustafa Reşit Akçay Vikipedi ~ Teknik direktörlük kariyeri Antrenörlük kariyerine İdmangücü kulübünde başladı burada 8 yıl görev yaptı Daha sonra Trabzonspor altyapısında göreve başladı Bu görevini dört yıl sürdürdü ve bu süre içerisinde Fatih Tekke Gökdeniz Karadeniz gibi birçok yıldızın yetişmesinde katkısı bulundu 1996 yılında Hollandaya giderek Ajax altyapısında 7 ay boyunca

A Marine veteran working as a school janitor tries to mend his relationship with his son after a divorce. When his son is killed by a police officer found innocent without standing trial, he takes matters into his own hands.
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Bad Times at the El Royale 2018 Film Indirme

Bad Times at the El Royale Film Indirme 2018

devam : 117 dakika Abstimmung
oylanan şey sayı : 0.8/10 (96241 önermek)
önermenin niteliği : MPEG-1 1080p
DVDrip
gösterme : 2510
hüner : Frieden , Geschichte
dil : GM,TV,JM,TO,BI,PA,NE,MR,GUY, SJM, GIB, KOR, FRO
sayı saymak : 2.1/10 (78091 Wählerstimme)

Bad Times at the El Royale 2018 Film Indirme

Bad Times at the El Royale Film Indirme-dublajlı-fragman-1080p-2018-online stream-ASF-MP4-uncut-online anschauen-online stream-DVD-TVrip-online stream-deutsch.mp4

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_Bad Times At The El Royale_ was exceptional. Through its preview period, I was hooked from the teaser trailer to the 24th TV Spot released. Drew Goddard knew how to make a wonderous and exciting thriller through its magnificent casting and so much more. All these trailers set high expectations which made me worry a little bit as I don’t like getting myself too excited for movies because sometimes, I get very disappointed. But with this, it exceeded my high expectations. _Bad Times At The El Royale_ just crushed it and it felt riveting the whole time which is something that is hard to find in films nowadays.

The casting was incredibly on point for this with Dakota Johnson, Jeff Bridges, Jon Hamm, Lewis Pullman, Chris Hemsworth, Cailee Spaeny and Cynthia Erivo delivering Oscar-worthy performances. Both Lewis Pullman and Cailee Spaeny deserve a lot of recognition. They just both developed so well throughout and it just astounded me at the level that they could deliver. The best thing about all these wonderful and exciting characters were the connections they all had with each other whether it be a love/hate relationship. To avoid spoilers, I will not highlight who my favourite connection was but _Bad Times At The El Royale_ knew how to deliver excellent performances and wonderful connections.

The story was captivating in itself but what really accompanied this well-made film was its soundtrack which really packed quite a punch. Songs like This Old Heart Of Mine by The Isley Brothers, which was featured in the trailer and sung incredibly well by Cynthia Erivo, and Can’t Take My Eyes Off You by Frankie Valli just fit in the most perfect ways. Movies like _Baby Driver_ and _Shaun Of The Dead_, both coincidentally directed by Edgar Wright, wouldn’t have been what it was without its soundtrack, and it’s unfortunate to say that _Bad Times At The El Royale_ would have suffered a bit without the ‘60s music.

Fortunately, nothing disappointed me at all with this movie because the height of intensity was just there without doing to much to establish it. Jon Hamm was most of the reason, along with Chris Hemsworth, that really helped make this such a great film. Drew Goddard produced beautiful camerawork and outstanding set design. It is truly one of the most brilliant films ever created and I’ve only ever been astounded this much by _Searching_ as I kept feeling like I didn’t know what was going to happen. And honestly, I didn’t. But the big thing that would keep certain audiences away is the level of gore that I’ve only ever seen in Tarantino films and _Brawl In Cell Block 99_. _Bad Times At The El Royale_ is a lot like Tarantino’s _The Hateful Eight_ but it was done 10x better. Everything just seemed to click with me throughout the long runtime and I’m glad I didn’t give this a miss.

_Bad Times At The El Royale_ is wonderful with unpredictable plot twists, exceptional casting and chemistry, a smartly written script and high intensity levels. I expect to see a lot of Oscar nominations for this movie as it deserves a lot of recognition whether it be surprising performances from the likes of Dakota Johnson and Lewis Pullman or fantastic costumes and design. _Bad Times At The El Royale_ just clicked with me 100% and could not lose my attention from the second I saw Nick Offerman walk into his hotel room. I paid attention to every second and enjoyed it so _Bad Times At The El Royale_ deserves a thrilling 10/10.
More often than not, the fragmented, time-jump-y form of storytelling (a la Tarantino) doesn't do it for me. But _Bad Times at the El Royale_ nails the format, and just about everything else while it's at it.

_Final rating:★★★★ - Very strong appeal. A personal favourite._
**_Derivative, predictable, and dull_**

> _There is something about hotels that I find very romantic. You get to try on a different life in a hotel. You're usually in a new place when you're staying in a hotel. There's something about the experience that allows you to be a different person. You can think to yourself: "Oh, this is what it would look if I were in Paris. This is what it would look like if I were in New York." There's something about it that transports you somewhere and that, I suppose, has always been good for creativity and imagination. I love the entire spectrum of hotels, b__ecause for a creative person, it's about trying on a new life. For the El Royale, I liked this idea of a hotel that had a shadier side to it._

- Drew Goddard; "Exclusive _Bad Times At The El Royale_ Interview With Drew Goddard" (Simon Gallagher); _WhatCulture_ (October 9, 2018)

Following the genre-bending, utterly insane, and extremely funny _The Cabin in the Woods_ (2011), _Bad Times at the El Royale_ is the second feature from writer/director Drew Goddard, who has also accrued writing credits for Matt Reeves's _Cloverfield_ (2008), Marc Foster's _World War Z_ (2013), and Ridley Scott's _The Martian_ (2015), as well as TV shows such as _Buffy the Vampire Slayer_ (1996-2003), _Angel_ (1999-2004), _Alias_ (2001-2006), and _Lost_ (2004-2010). In short, he has an impressive résumé. As it stands in relation to _Cabin_, _Bad Times_ is a similarly stylised cine-literate genre mash-up. However, whereas in _Cabin_, the twist upon twist upon twist had a cumulative effect, with the story getting better the longer it went on and the weirder things got, in _Bad Times_ it's a case of ever diminishing returns. By the time we reach the end of the lengthy 141-minute runtime (more on that later), with everything and everyone shoehorned into neatly explained niches, the film has been shorn of its vitality, leaving one with an overriding impression of "meh". If _Cabin_ was a genuinely new spin on a clichéd old story, playing with and subverting genre at every turn, _Bad Times_ is singularly unable to free itself from the most oppressively derivative of its generic constraints.

Set in 1969, the film takes place almost entirely in the titular El Royale Hotel (actually a motel, and obviously inspired by the Cal Neva Lodge & Casino), a once popular but now fading novelty spot situated half in Nevada and half in California, with a line literally running down the centre of the property to delineate the border. To say too much about the plot or characters would be to ruin some of the twists (which is ultimately all the film really has going for it), but the basic set-up is that over the course of one night, seven people will encounter one another but not all seven will leave. There's Fr. Daniel Flynn (Jeff Bridges), a Catholic priest on the way to see his brother; Darlene Sweet (Cynthia Erivo), a singer travelling to a job she doesn't want; Emily (Dakota Johnson), an intensely private woman who wants nothing to do with any of the others; Laramie Seymour Sullivan (Jon Hamm), a slick vacuum cleaner salesman; Rose (Cailee Spaeny), who appears to be Emily's kidnap victim; Billy Lee (Chris Hemsworth), a cult leader obviously based on Charles Manson; and Miles Miller (Lewis Pullman), the motel's receptionist/bellhop/maid/barman/manager. As the night wears on, it becomes apparent that not only are few of these people who they claim to be, but the motel itself is hiding its own dark secrets.

If that set-up reminds you a little of James Mangold's _Identity_ (2003), you're not completely off course. _Bad Times_ shares very similar DNA, at least up to the point where _Identity_ goes totally batshit crazy; both are set in an out-of-the-way motel where a group of strangers are trapped overnight, and all, or some of them aren't who they appear, with the audience slowly filled in on their backstories via flashbacks. However, whereas _Identity_ failed because the last half-hour is patently ridiculous, completely undermining the excellent build-up of tension and mystery, _Bad Times_ has the exact opposite problem – the conclusion is decidedly underwhelming, failing to build on an excellent set-up, with the last twenty minutes or so lapsing into utter mundanity, and, most unforgivably for a mystery film, twists for twist's sake. The structure also somewhat recalls _Lost_ (a disparate group of strangers forced together at a mysterious location filled with secrets, whilst a flashback-heavy narrative fills us in on who these people are), and, perhaps more obviously, the high-concept, perspective-shifting, often achronological _Pulp Fiction_ (1994) imitators of the late 90s; films such as John Herzfeld's _2 Days in the Valley_ (1996), Peter O'Fallon's _Suicide Kings_ (1998), and Troy Duffy's _The Boondock Saints_ (1999).

To start on a positive note though, _Bad Times_ looks terrific – as you would expect from veteran cinematographer Seamus McGarvey (_The Hours_; _We Need to Talk About Kevin_; _Nocturnal Animals_), the photography is faultless, whilst the production design by Martin Whist (_Down with Love_; _Devil_; _Super 8_) and the art direction by Michael Diner (_Firewall_; _Night at the Museum_; _Redacted_) are superb, with the ultra tacky period detail dripping off the screen. Directorally, Goddard also has his moments with some eye-catching compositions, locked-off cameras, POV shots, and lengthy single-take Steadicam sequences. However, it's in relation to this last point where one of the film's most immediate problems is to be found – the solid directorial work is completely out of step with the vapid writing, as if a screenplay intended for Michael Bay ended up being directed by Michael Mann (although Goddard is certainly no Mann). The barely-there storyline seems to be nothing other than a hangar onto which to drape a tone and style, rather than generating that style.

Perhaps in relation to this disparity between style and story, the film's second strongest sequence is the opening scene. Shot entirely from a fixed camera position, and looking for all the world like a stage play, the scene is completely wordless, and charts the course of several hours in one of the motel rooms, as a man whose face we never clearly see checks in, moves all of the furniture to one side of the room, pulls up the floorboards, hides a bag under them, places them back, puts all the furniture back, relaxes for a while, and is promptly shot dead. The scene is a masterclass in slow-burning tension – we know something bad is going to happen, but Goddard refuses to pull the trigger prematurely, so when the violence does erupt, it's a pseudo-cathartic moment for the audience (incidentally, the film's best sequence is similarly abstract, slowly plotted, and mostly _sans_ dialogue, but as it involves the discovery of an important and unexpected location within the motel, to say any more would be a spoiler). The problem is that the heavily stylised and brilliantly directed opening is so good, it spoils the audience, establishing a tone to which the rest of the film mostly fails to live up.

In direct contrast to the opening, the ending is both narratively and directorally formulaic, predicable, and trite, with the least compelling and well fleshed out character taking centre stage, mano-a-mano good guy/bad guy dialogue aplenty, and even a ludicrous shoot-out. The whole things smacks of "been there, seen that a million times." Additionally, whereas the opening is effortlessly enthralling and distinctive, as the film lumbers on, and Goddard begins to run out of directorial tricks, there are sequences which scream "look how cool I am." For example, Billy Lee whirling toward the camera, eating pie, shirt agape, hair soaking wet, dancing to the sounds of Deep Purple's cover of "Hush" (1968) is so desperate to become iconic that it instead comes across as self-parody.

Another significant problem is that the characters all feel like generic archetypes ripped out of other films, with none giving the impression of being a real-person, with their own agency and interiority. They are, in essence, walking plot-points. The script is also exceptionally weak in how it handles exposition (of which there is a significant amount). There seems to have been little attempt to organically introduce heavily expositional scenes, or integrate them with the surrounding material. Instead, on several occasions, the plot literally stops whilst characters explain things to one another. A particularly bad example of this is when Flynn and Sweet arrive at the motel reception. Sullivan is already there, and begins to tell them the inner workings of the establishment, having stayed there numerous times in the past. Then Miller turns up, and begins to recite a rehearsed sales pitch. Simply trading exposition from one character to another doesn't mean it's not exposition – the scene is painfully slow, dull, and pointless, telling us precious little that we actually need to know. Indeed the entire issue of the motel being bi-state is strangely pointless. Aside from the novelty value, it is never factored into the narrative, and one wonders why Goddard set the film in such a specific location if he had no plans to use that specificity thematically.

A final problem which must be discussed is that 141-minute runtime. Padded, and massively self-indulgent, there is enough narrative content to barely fill a 90-minute duration. One of the most egregious missteps in this respect is Goddard's tendency to ponderously play out the same scene from multiple points of view, but in such a way as to give the audience only a smidgeon of additional information, so by the third time we're seeing a scene (which was too long even the first time around), it becomes an endurance test. Also, with this runtime and so little content, needless to say, the bottom falls out of the film entirely during the middle section, as things become unrelentingly slow and contrived. Goddard seems to equate curiosity about who the characters are with filmic suspense, meaning things take a decided turn for the mundane long before the underwhelming _dénouement_. The interesting set-up earns him a fair bit of wiggle room in relation to this, but he abuses it, pushing the audience far beyond the point where they simply give up caring about anything on screen. And when he finally does get around to wrapping things up, the last few twists are nowhere near enough of a reward. Personally, I was left feeling that the mysteries were more rewarding than the explanations.

Part 1930s-style pulp fiction, part 1940s and 50s-style film noir, and part 1960s-style paranoid thriller, the film flirts with a few themes (redemption, forgiveness, karma, political corruption, the seductive nature of power), but none get off the starting grid, and ultimately, _Bad Times_ isn't really _about_ anything. Hyper self-aware, and attempting to both subvert and celebrate generic conventions, Goddard seems to think he has a bonafide epic on his hands, a portent piece of celluloid mastery which samples the best of hard-boiled crime fiction, and imparts valuable lessons in the process. He doesn't. It's more self-indulgent folly than paean of universal truth. And it's painfully dull.

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[HD] Bad Times at the El Royale 2018 Film Indirme

Kısa film

Harcandı : $459,937,315

Gelir : $448,735,861

Kategoriler : Reden - Hoffnung , ein Gesetz dunkle Feinde - Universum , Wissen - Unabhängigkeit , Heuchelei - Gefangenendrama

Üretici Ülke : Irland

Prodüksiyon : Arata FG

Lake Tahoe, 1969. Seven strangers, each one with a secret to bury, meet at El Royale, a decadent motel with a dark past. In the course of a fateful night, everyone will have one last shot at redemption.
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Chained for Life 2018 Film Indirme

Chained for Life Film Indirme 2018

süre : 188 zabıt tutmak Abstimmungsergebnis
oylanan şey hoş şey : 4.7/10 (86201 oy kullanmak)
kabiliyet : DTS 1440p
VHSRip
incelemek : 7805
hüner : Realität Horror Objekte Magie Abfall , Angst
lisan : HR,AG,DE,MN,GQ,BY,MG,AT,SSD, GMB, LTU, MOZ, PRI
tip : 6.9/10 (30053 Stimmabgabe)

Chained for Life 2018 Film Indirme

Chained for Life Film Indirme--türkçe-BRRip-2018-FLA-WMV-ganzer film-DVDrip-M2V-MPE-hd stream-online anschauen-auf englisch-Blu-ray.mp4

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"

[HD] Chained for Life 2018 Film Indirme

Kısa film

Harcandı : $501,811,524

Gelir : $294,405,906

Kategoriler : Egal - Potes , Schwören - Dance de Monsters , Satan - Geistesgesundheit , Quinqui - Physiologie

Üretici Ülke : Dominikanische Republik

Prodüksiyon : Disney XD

A beautiful actress struggles to connect with her disfigured co-star on the set of a European auteur's English-language debut.
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